benjamin work of art essay



Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit ist der Titel eines Aufsatzes des Philosophen Walter Benjamin, den er 1935 im Pariser Exil verfasste. Er erschien erstmals 1936 unter dem Titel L'œuvre d'art à l'époque de sa reproduction mécanisée in der Zeitschrift für Sozialforschung, in einer
The Work of Art in the Age of Industry by Walter Benjamin, is an essay of cultural criticism which proposes that the aura of a work of art is devalued by mechanical reproduction. The subject and themes of the essay have much influenced the fields of art history and architectural theory, and cultural studies and media theory.
translated by Harry Zohn, from the 1935 essay. New York: Schocken Books, 1969. The Work of Art in the Age of Mechanical Reproduction. WALTER BENJAMIN. “Our fine arts were developed, their types and uses were established, in times very different from the present, by men whose power of action upon things was.
In principle, the work of art has always been reproducible. ... now of the work of art-its unique existence in a particular place. ...... Benjamin's lifetime. Gesammelte Schriftell, VII, 350-384. Translated by Edmund Jephcott and Harry Zohl1. Notes. This version of the essay "Das Kunstwerk im Zeitalter seiner technischen Repro-.
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by Erik Larsen. Introduction and Historical Information. Despite its relative brevity, Walter Benjamin's essay “The Work of Art in the Age of Mechanical Reproduction,” continues to inspire significant scholarly attention as a major work in the history of modern aesthetic and political criticism. The essay is credited with
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